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This course will introduce students to the key elements that are required to successfully create a short film. Starting with an overview of filmmaking practice and notable short films, students will develop their own ideas using pre-production techniques such as script writing, storyboarding, and shot listing. This will lead into exercises based on cinematography, directorial technique, and film set etiquette. Finally, students will learn to effectively use film editing software in order to refine and showcase their work to a wider audience.
Materials you will need to bring to the first class:
Pen or pencil
Paper
In addition to the course fee, students are expected to provide the following list of indicative tools, materials and equipment:
A video-recording device is essential, whether this is a DSLR camera or a smartphone. Although the basics of cinematography will be taught on a DSLR, any camera or device the student feels comfortable making films with will be acceptable
Optional: An external sound recorder, a tripod
Students will, throughout the duration of this class, gain competency in several filmmaking disciplines. Supported through in-class exercises, these will include:
1. Idea generation and story planning.
2. Review of other filmmakers and effective short films from throughout history.
3. Script format, research, and development.
4. Basics of cinematography, including lens choice, shot size, camera movement, lighting, and axis.
5. Shot planning by use of shot lists and storyboards.
6. Sound recording and voiceover.
7. Set etiquette, organisation, and planning.
8. Directorial techniques, working with actors, and running a film set.
9. Visual storytelling using editing and effective use of Premiere Pro.
10. Basic sound design using Premiere Pro.
11. Exporting a film for online and physical environments.
12. Criticism and the use of feedback to improve work.
Students will be taught as a group, taking them through the various stages of creating a successful short film. Although shooting outside of the course sessions is strongly encouraged, the class exercises will give students the opportunity to learn about various factors of filmmaking and refine their ability to function in a variety of related disciplines. One-on-one discussion of student projects and interests will support student learning, as well as class critiques on work created during the course. Well-regarded work from other filmmakers will be showcased to inspire but also challenge student viewpoints.
On completion of this course, the student will be able to:
Demonstrate the ability to develop and organise personal ideas and concepts into a filmmaking project.
Demonstrate an understanding for the various departments and disciplines of making a film, employing a range of filmmaking skills which show the variety of creative filmmaking roles.
Create, edit and present a short 1-3 minute film.
Recommended:
Katz, S. (1991) Film Directing Shot by Shot: Visualizing from Concept to Screen. California: Michael Wiese Production
Weston, J. (1999) Directing Actors. California: Michael Wiese Production
Murch, W. (2001) In the Blink of an Eye: A Perspective on Film Editing. California: Silman-James Press
https://www.youtube.com/user/everyframeapainting
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
If you have a disability, learning difficulty or health condition which may affect your studies, please let us know by ticking the 'specific support needs' box on your course application form. This will allow us to make appropriate adjustments in advance and in accordance with your rights under the Equality Act 2010. For more information please visit the Student Support section of our website.