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This course will introduce you to the basics of black and white photography as an art and design practice to develop the beginnings of a personal language. Using a 35mm analogue camera, the course will focus on exploiting the camera’s manual settings to take a range of different types of pictures and will introduce basic technical processes in the dark room to develop and print a range of photographic outcomes. You will also be encouraged to consider an aesthetic approach to subject, lighting, composition and mood.
No previous photography experience required. You will require your own SLR 35mm film camera.
Material you will need to bring for the first night
A manual SLR film camera
A roll of 35mm black and white film (preferably Ilford HP5)
Any other core materials you will require for the course
In addition to the course fee, students are expected to provide the following list of indicative tools, materials and equipment:
* A manual SLR analogue film camera
* Box (25 to 50 Sheets) Ilford Multi-grade Resin coated paper
* 5-10 rolls of 35mm black and white film (Ilford HP5 or FP4 for hand processing)
35mm film camera preferably with manual settings
The course teaching is delivered over weekly class sessions totalling 27.5 hours. Depending on the specific timetable of the occurrence of the course, this will either be delivered over ten weeks of 2.75 hour class sessions, eleven weeks of 2.5 hour class sessions or five weeks of 5.5 hour class sessions. Over the weeks the course will cover:
This course will be based and delivered in specialist art and design studios or workshops and will typically include a range of practical exercises, introductions to techniques, processes and concepts, and set projects which lead to more focused and personal exploration. Each week, students’ progress will be monitored and supported by the tutor who will suggest follow up reading, research and practice to undertake each week to support their studies. Teaching will include practical demonstrations, one to one tuition, group discussions and critiques
By the end of the course, students should be able to:
Gillanders, R., 2004, The photographic portrait: techniques, strategies and thoughts on making portraits with meaning, Devon: David & Charles
Barthes, R., 1994, Camera Lucida: reflections on photography, New York: Hill and Wang
Web sources may be suggested during the course.
Course information will provided on enrolment and class hand-outs during the course
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
If you have a disability, learning difficulty or health condition which may affect your studies, please let us know by ticking the 'specific support needs' box on your course application form. This will allow us to make appropriate adjustments in advance and in accordance with your rights under the Equality Act 2010. For more information please visit the Student Support section of our website.