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Ten centuries of classical music in ten weeks, beginning at the time music notation was invented, around 1000CE. A bird’s-eye view of 1,000 years of classical music; medieval to modern, Perotin to Part. The beginnings of written music; changing styles for voices and instruments; how does recording affect our view of music history?
Students will need to be able to confidently use videoconferencing software and be comfortable with using websites.
In order to participate in this course, you will need access to a computer with a speaker, microphone and a good internet connection. An internet browser is required to access the online learning platform. Google Chrome or Mozilla Firefox are the recommended browsers.
1. Medieval: written music: role of the church: polyphony. Leonin, Perotin, Machaut.
2. Renaissance: humanist values: instrumental music: intervals and pitch: music spreads throughout Europe. Ockeghem, Josquin, Byrd, Palestrina,Victoria.
3. Baroque: orchestra: opera: equal temperament: keyboard music: concerto. Monteverdi, Lully, Rameau, Couperin, Bach, Handel, Scarlatti.
4. Classical: symphony: sonata: string quartet: piano: vocal music. CPE Bach, Haydn, Mozart, Beethoven, Schubert, Gluck.
5. Romantic: piano: symphony: nationalism: programme music: opera: concerto. Chopin, Liszt, Schumann, Brahms, Berlioz, Glinka, Grieg, Smetana, Rimsky Korsakov, Tchaikovsky, Sibelius, Wagner, Mussorgsky, Mahler.
6. Twentieth century: stylistic fragmentation – serialism – other formal principles – percussion. Debussy, Scriabin, Schoenberg, Webern, Bartók, Ives, Janacek, Stravinsky, Prokofiev, Varese, Messiaen, Boulez, Stockhausen, Xenakis, Ligeti, Cage, Carter.
This course will be delivered via live online sessions.
Lecture format, supported by CD listening. Time allotted for discussion.
By the end of this course, students should be able to:
Distinguish different musical styles;
Understand key musical terms such as Tonality and Chromaticism;
Appreciate the musical and social forces which encouraged change.
Students should not purchase books until the course is confirmed to run, and their teacher instructs them to do so.
Recommended:
Abraham, Gerald.1979. Concise Oxford History of Music. Oxford: OUP.
Rattle, Simon and Hall, Michael. 1996. Leaving Home. London: Faber.
Staines, Joe. 2010. Rough Guide to Classical Music. London: Rough Guides.
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
If you have a disability, learning difficulty or health condition which may affect your studies, please let us know by ticking the 'specific support needs' box on your course application form. This will allow us to make appropriate adjustments in advance and in accordance with your rights under the Equality Act 2010. For more information please visit the Student Support section of our website.