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This course will introduce and examine ways to interpret and record the underlying structure, form and proportions of the human figure. An evolving sequence of life poses will be contextualized in the drawing studio to provide the student with a basic understanding of human anatomy to create a body of considered works, generated from a range of drawing approaches.
None.
Materials you will need to bring to the first class:
A1 or A2 cartridge paper
Charcoals - willow and compressed - 1 stick of each
Soft putty rubber
HB, B, 2B, 6B pencils
Graphite stick
Pencil sharpener or craft knife
Masking tape
Sketchbook A3
In addition to the course fee, students are expected to provide the following list of indicative tools, materials and equipment:
A selection of drawing papers - sheets of A2 or larger
Sketchbook
Willow charcoal
Compressed charcoal
Charcoal pencil
Chalk pastels or conte sticks
Black drawing ink
Coloured drawing inks (optional)
White oil bar
Oil pastels (optional)
Drawing nib
Waterproof fine liner pen
Small and medium brushes for ink and washes
Selection of pencils including HB, B, 2B and 4B.
Coloured pencils (optional)
Graphite stick
Putty rubber
Fixative
Masking tape.
Over the class sessions the course will cover:
1. Introduction to the figure- Finding the figure in space through line.
2. Classical and contemporary, bridging the gap. Examining classical representations of the figure and the contemporary resonance.
3. Deconstruction- Identifying and defining bone structure and muscle through tone.
4. Load - The figure at rest. Volume and displacement. Measuring the figure.
5. Transition - The ecstatic figure in the moment.
6. Movement - The figure at work.
7. Expression - Investigating mark making and identifying key parts of the body as emotive signifiers. Head, hands and feet.
8. Rapid recording - time restricted drawing.
9. Embedding - drawing from memory.
10. Scaling up - developing the figure from thumbnail sketches and study drawings.
11. Beyond the framework - the figure in composition.
The teaching will be based and delivered in specialist art and design studios or workshops and will typically include a range of practical exercises, introductions to techniques, processes and concepts, and set projects which lead to more focused and personal exploration. Over the course, students’ progress will be monitored and supported by the tutor. Teaching will include practical demonstrations, one to one tuition, group discussions and critiques.
For work required to be undertaken after the class hours are complete, the course tutor will set students a ‘directed study plan’ which can be undertaken without the need for specialist workshops or access to models.
Directed study will include research into a range of suggested artists and their associated movements to engender a contextual awareness. Students are expected to demonstrate how their research has informed their work through annotated sketchbooks, a visual digital journal and practical outcomes.
The Directed Study Plan will include preparing evidence of research and practical work to form an appropriate presentation for assessment.
On completion of this course, the student will be able to:
Demonstrate an understanding of the structure and basic anatomy of the human form through observation and research into how other artists approach the figure.
Create a series of investigative drawings which demonstrate an understanding of the structure and form of the human figure exploiting a range of media.
Select, edit and present a body of drawings and research which demonstrate a considered and personal approach to the human figure.
Recommended:
Marsh, R., 1970. Anatomy for artists. London: Dover.
Wolff, E., 1958. Anatomy for artists, 4th ed. London: H K Lewis.
Figura, S. and Freud, L., 2007. Lucian Freud: The Painter’s Etchings. New York: Museum of Modern Art.
Browse and Darby, 1999. Euan Uglow, London: Browse and Darby
Kantor, J., Zabel, I., and Dexter, E., 2005. Vitamin D: New Perspectives in Drawing . London: Phaidon
Details of the Art and Design assessment requirements can be found on the short course website. Please click on the following link for more information: Submission and Assessment Information
If you choose to study for credit you will need to allocate significant time outwith classes for coursework and assessment preparation. Credit points gained from this course can count towards the Certificate of Higher Education.
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
If you have a disability, learning difficulty or health condition which may affect your studies, please let us know by ticking the 'specific support needs' box on your course application form. This will allow us to make appropriate adjustments in advance and in accordance with your rights under the Equality Act 2010. For more information please visit the Student Support section of our website.