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Ten centuries of classical music in ten weeks, beginning at the time music notation was invented, around 1000CE. A bird’s-eye view of 1,000 years of classical music; medieval to modern, Perotin to Part. The beginnings of written music; changing styles for voices and instruments; how does recording affect our view of music history?
None.
1. Medieval: written music: role of the church: polyphony. Leonin, Perotin, Machaut.
2. Renaissance: humanist values: instrumental music: intervals and pitch: music spreads throughout Europe. Ockeghem, Josquin, Byrd, Palestrina,Victoria.
3. Baroque: orchestra: opera: equal temperament: keyboard music: concerto. Monteverdi, Lully, Rameau, Couperin, Bach, Handel, Scarlatti.
4. Classical: symphony: sonata: string quartet: piano: vocal music. CPE Bach, Haydn, Mozart, Beethoven, Schubert, Gluck.
5. Romantic: piano: symphony: nationalism: programme music: opera: concerto. Chopin, Liszt, Schumann, Brahms, Berlioz, Glinka, Grieg, Smetana, Rimsky Korsakov, Tchaikovsky, Sibelius, Wagner, Mussorgsky, Mahler.
6. Twentieth century: stylistic fragmentation – serialism – other formal principles – percussion. Debussy, Scriabin, Schoenberg, Webern, Bartók, Ives, Janacek, Stravinsky, Prokofiev, Varese, Messiaen, Boulez, Stockhausen, Xenakis, Ligeti, Cage, Carter.
Lecture format, supported by CD listening. Time allotted for discussion.
By the end of this course, students should be able to:
Distinguish different musical styles;
Understand key musical terms such as Tonality and Chromaticism;
Appreciate the musical and social forces which encouraged change.
Recommended:
Abraham, Gerald.1979. Concise Oxford History of Music. Oxford: OUP.
Rattle, Simon and Hall, Michael. 1996. Leaving Home. London: Faber.
Staines, Joe. 2010. Rough Guide to Classical Music. London: Rough Guides.
Distributed weekly.
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
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