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This course aims to underpin a practical knowledge of working methodology with reference to a contextual framework. This course will examine Op art and, in particular, the work of Bridget Riley. The two days comprise a lecture/ talk in the Scottish Gallery of Modern Art, followed by critical and creative group activities, practical studio exercises using relevant techniques in monochrome and colour, colour theory, and finishing with feedback and discussion. Visual perception, spatial relationships, equilibrium, pattern and rhythm will be explored both contextually and practically.
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Essential materials or equipment to be provided by COL:
Essential materials or equipment to be provided by the student:
Students will gain contextual and historical knowledge of Op art, including the effect of visual perception studies on post WW2 artists, their interest in gestalt and psychedelia, and basic design principles. An art historian will focus on several works by Bridget Riley at the exhibition of her work, to be held in the Scottish National Gallery from 15th June to 22nd September 2019. The gallery is approximately 1 mile from the studios and students are to make their own way to and from the gallery on the relevant day, as instructed by the tuto.. Students will then partake in a group activity which will consolidate their insights into Bridget Riley’s work and Op art in general.
The Scottish National Gallery is approximately 1 mile from the studio. Students are to make their own way to and from the Gallery on the relevant day, as instructed by the tutor
This will underpin the practical studio work, led by an art practitioner, which will include:
Students will learn through a mixture of listening, looking, creating, reflecting and discussing. The academic and theoretical side of the course, accompanied by first hand viewing of the works of Bridget Riley in the Gallery of Modern Art, will underpin and inform the practical aspect. Both will lend direct experience to discussion. Students will create two finished paintings and several studies. They will gain insight into the working methodology of a major abstract painter. This knowledge can be used to enrich further study, research and practice. There will be the opportunity for questions, reflection and critical feedback in a group setting. Teaching will be in groups, peer to peer and individually
On completion of this course, students will be able to:
1. gain a contextual knowledge of a key area of abstraction, in this case Op art and the paintings of Bridget Riley;
2. engage in the exploration of visual perception using shape, form and rhythm both in monochrome and in colour through a series of exercises;
3. create two finished works (one monochrome and one colour) which can be put into context in a discussion of Op art and the work of Bridget Riley.
The recommended titles below may be of interest in following up the themes discussed in the course.
If you have questions regarding the course or enrolment, please contact COL Reception at Paterson's Land by email COL@ed.ac.uk or by phone 0131 650 4400.
If you have a disability, learning difficulty or health condition which may affect your studies, please let us know by ticking the 'specific support needs' box on your course application form. This will allow us to make appropriate adjustments in advance and in accordance with your rights under the Equality Act 2010. For more information please visit the Student Support section of our website.